Bernstein, herself, was a "light" in the musical life of the Pasadena Symphony for 10 years. She first came to the attention of conductor Jorge Mester during rehearsals for Igor Stravinsky's "Fairy Kiss" in 1994. The work includes a prominent clarinet solo, and when the principal clarinetist at the time took ill at last moment, Bernstein stepped in for the final two rehearsals and performance.
JoAnn Turovsky, Bernstein's partner and the Pasadena Symphony's principal harpist, remembers Bernstein's first rehearsal with the orchestra vividly. "The thing I remember most was the look of utter relief on Jorge's face," she recalls. "At one point, he even said, 'I can't bring myself to make a suggestion to such a talented performer.'"
A decade later, Mester's respect and regard for Bernstein have risen even higher.
"When our orchestra manager suggested that Emily work with us on 'Fairy Kiss,' he described her as 'a treasure,'" Mester said. "He was absolutely right. Emily was an incredibly gifted musician - an invaluable and irreplaceable member of our orchestra - and a good friend. I will miss her greatly."
As she fought the cancer that ultimately took her life on Jan. 26, Bernstein approached the Pasadena Symphony about establishing a fund in her name. This fund, she hoped, would enable future generations who share her love of classical music to continue to enjoy performances by the Pasadena Symphony - an orchestra Bernstein claimed was "filled with the area's best players."